Start by finding out what pigments are used.
Image: Anne Lemaître
When working for architectural agencies here in Paris, I used to think that choosing whites was difficult. There was so much choice! Even the most experienced designers had trouble telling the difference between certain shades. Then when I began working as a colour consultant for Farrow & Ball, and I learnt that you simply need to find out what pigments are used.
Whilst some whites have up to 11 pigments to give them warmth and depth, you just need to identify one or two dominant pigments and use these to guide you. You want them to match any nearby colours, such as wallpapers or fabrics.
For example, if I decorate a bedroom with the pink Lucette wallpaper from Maison Janette and I want a white paint to go on the surrounding woodwork, I would look for a warm white with a touch of red to give it pink undertones. Dimity from Farrow & Ball would be a good choice. This type of white would feel seamless beside a pink wallpaper where a stark, pure white would look jarring.
Pink 'petale' Lucette wallpaper from Maison Janette
Dimity from Farrow & Ball
Test a few paint samples before choosing, so that you see how certain shades of white react to the colours and lighting in your home. And don't panic if you see these shades on a white wall; off-whites often appear beige or simply like coloured paint against pure white, but once the whole room is painted it is perceived as off-white. Where possible, I also recommend using the same white on the ceiling as well rather than a pure white. This brings harmony to the general palette and is a lot cosier.
If you would like help choosing colours for your home, I'd be happy to find your ideal colours with you. You can send me a booking request here or ping me an email here: contact@loisgatelier.com.
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